Today we're going to the Naturkundemuseum is a short informational document filled with some impressions based on the Naturkundemuseum Berlin and a link to the work of Fabian Lehmann.

I created a variety of trees imbued with artificial Intelligence. These trees are artificially produced organisms, designed by humans to be disseminated across different territories around the globe, in order to contribute drastically to the preservation of endangered migratory birds. These AI trees feature embedded deep-learning systems enabling them to auto-create bio ingredients that can ensure the nutrition of the birds and increase their capacity to create more powerful nests. The AI trees learn how to grow in ways that shape turrets/shelter for the birds. They can also emit calculated frequencies that are extremely unpleasant to predators. The glowing core of their seeds can be metabolized by humans, providing a unique source of power/energy. Nutrition with their crops will strengthen the feathers of various species (e.g. Egyptian Vulture), allowing them to fly against wind-farms. The AI trees have been fed with data sourced by species such as European Roller and Red-footed Falcon.

Credits: Sound Design-Evangelos Makris

A digital fable about interspecies relations, the hierarchic being of humans and a friendship between stigmatized. In this scenario the viewer is body-less while their perspective shifts from an anthropocentric to a vampyroteuthic - and hell turns out to be heaven.

Within the frame of the natural history museum, ’celestial bodies’ allows a poetic imaginary quest in what seems to be an objective and untouchable set. The floating text elements are sloshing like a visualized train of thought through space. By doing so, the flickering fonts suggest a more multi-layered, subversive point of view.

The practice of maintaining ‘cabinets of curiosities’ evolved during the late Renaissance and Baroque periods and represented an important early step in the creation of the institution of the modern museum.¹ The room was named "Room of the Sun" because of the presence in the centre of the ceiling of the Fall of Phaeton […] by Francesco Caccianiga (1700-1781).² Visitors are encouraged and inspired to find their own route into science and experience ‘Evolution in Action’ rather than following a given pathway.³

This work is part of my <Healing Project> in Garibong-dong in December 2020, reputated as one of dangerous and old regions in Seoul, South Korea. I casted metarial which is aluminum and put them back into a broken wall, which people pass everyday. Here we can see the other sides of those pieces which I made.

The human as the ultimate source of value. A picture of a postmodern access to nature.